WHY ‘MASOOM’ IS THIS WEEK’S PICK
- As the famous filmmaker Shekhar Kapur celebrated his birthday on December 6, we reminisced about his films, particularly 1983’s ‘Masoom’. Showing Kapur’s storytelling talent and ability to portray the intricacies of human relationships, the film explores the moving story of a happy marriage almost split apart by the consequences of a past mistake.
New Delhi: Shekhar Kapur was inspired by American writer Erich Segal’s 1980 book ‘Man, Woman and Child’ and created a timeless classic ‘Masoom’. The film features talent like Naseeruddin Shah, Shabana Azmi, Tanuja, Supriya Pathak and adorable child actors Jugal Hansraj, Urmila Matondkar and Aradhana. This Flashback Review takes a trip down memory lane, re-examining the subtlety of narrative and the depth of emotion that has made ‘Masoom’ a heartfelt masterpiece.
Naseeruddin Shah plays the role of D.K. Malhotra, an architect living a decent life with his devoted wife Indu (Shabana Azmi) and their two charming children, Pinky (Urmila Matondkar, making her acting debut) and Mini (Aradhana).
Indu and DK flirt, joke, and speak to each other like true partners. Their love is completely organic and relatable. It’s just a typical family, playing out more like real people than a movie cast.
The story takes a surprising turn when Jugal Hansraj’s innocent face comes on screen—representing the past. And let’s not forget about those eyes! Every time, the eyes will evoke a certain “Masoom” sensation.
The film delves into a deep examination of the human condition by bringing out the poignancy of every scene. You empathise with their situation as the story unfolds.
DK received a call from his former headmaster in Nainital informing him that he had an illegitimate son with Bhavna (Supriya Pathak). After Bhavna passes away, their son Rahul’s (Jugal Hansraj) future is uncertain. Though shocked, DK quickly tells Indu the truth about his affair with Bhavna and his fatherhood, which Rahul has no idea about. Everything in Indu’s life comes crashing down.
While DK’s pain is genuine, the film mostly focuses on Indu, who is heartbroken that her ideal marriage to DK was built on a lie and the innocent Rahul, who is now an orphan.
Gulzar wrote the storyline, dialogues and lyrics of the film and it flowed well. Pravin Bhatt’s cinematography elevates the story by capturing the scene’s emotional undertones.
When Indu tells her children that a boy is moving in with them, it conveys a profound feeling of powerlessness as she accepts her husband’s previous mistake.
Devastated Rahul’s longing to “mujhe mere papa mil jaye” is only one example of how emotionally charged dialogues may make you feel.
During one scene, Rahul yells out “Mummy” and gets a scolding in response. You can’t help but feel bad for him and want to do all you can to assist.
A performance that stays with you is Naseeruddin Shah’s subtle depiction of the imperfect but regretful spouse. Shabana Azmi’s performance added dimensions to the character of a woman who is struggling to come to terms with the repercussions of her husband’s past. But Jugal Hansraj is the true gem; the film’s emotional centre is his innocent and vulnerable performance.
The filming style of ‘Masoom’ gives it an innocent, kid-friendly vibe. Also, the writer made sure the kids had enough screen time and kept the audience engrossed in every scene.
The music of R.D. Burman captivated us completely. Listening to ‘Lakdi ki kathi’ will transport you back to your childhood. With songs like ‘Tujhse Naaraaz Nahin Zindagi’ and the heartfelt ‘Do Naina Aur Ek Kahaani’, this soundtrack is a must-have for any music lover’s library.
Every character in the film has depth and complexity. Directed by the brilliant Shekhar Kapur, ‘Masoom’ skillfully weaves together themes of love and forgiveness as well as the vulnerability of human relationships.
The film is, in a nutshell, an absolute must-see for anybody seeking an emotional roller coaster accompanied by superb performance and narrative.
