Max vows to change back credits as writers and directors blast streamer

While TV and film fans are figuring out how to navigate and download the new HBO interface, Max, the newly revamped platform has angered writers and directors.

In its new format, Max, which replaces streaming platform HBO Max, no longer specifies directing or writing credits and instead replaced it with a section for “creators” that appears to lump in a group of writers and directors in no specific order. In one example, “Raging Bull” director Martin Scorsese is listed second in a list of creators after co-writer Peter Savage.

In a statement, Max said it would correct the error.

“We agree that the talent behind the content on Max deserve their work to be properly recognized,” the statement reads. “We will correct the credits, which were altered due to an oversight in the technical transition from HBO Max to Max and we apologize for this mistake.”

“All part of the streamer masterplan of giving the option to skip the end roller, then the front credits, now removing the names of the HOD filmmakers who spend years making the work from interface,” tweeted Academy Award-winning documentary filmmaker Asif Kapadia. “So the only thing audiences know is the name of the streamer, nothing else matters.”

The change comes at a time when writers are striking over issues raised by the new streaming model and directors are in talks to negotiate a new contract with Hollywood studios.

The Directors Guild and Writers Guild released a joint statement Wednesday decrying the move.

“Warner Bros. Discovery’s unilateral move, without notice or consultation, to collapse directors, writers, producers and others into a generic category of ‘creators’ in their new Max rollout while we are in negotiations with them is a grave insult to our members and our union,” DGA President Lesli Linka Glatter said in a statement. “The DGA will not stand for it.”

The Writers Guild of America West President Meredith Stiehm called the move a credits violation. “This is a credits violation for starters. But worse, it is disrespectful and insulting to the artists that make the films and TV shows that and make their corporation billions,” Stiehm said.

Protecting directors’ so-called creative rights, which includes credits, is among a broad range of issues members of the Directors Guild of America are fighting over with Hollywood studios ahead of a contract lapsing on June 30. Directors and writers are also fighting to preserve residuals — fees for re-airing productions — on streaming platforms among other issues.

“How do they think the [Writers Guild], [Directors Guild] and [Producers Guild] would be even remotely okay with this?” tweeted “Poker Face” showrunner Nora Zuckerman.

The Alliance of Motion Picture and Television Producers had no immediate comment.

“Another move from studios to diminish the role of writers, directors, actors and other craftspeople,” tweeted Jorge Rivera, vice-chair of the Latinx Writers Committee of the Writers Guild of America West.

Some writers noted they were no longer credited for their work on shows. “On MAX’s platform, I’m no longer credited as a writer on the episode of ‘Gossip Girl’ I wrote,” tweeted writer Eric Eidelstein, who on IMDB is credited with writing 22 episodes of the HBO reboot “Gossip Girl.”

The Writers Guild of America has been on strike since May 2 over issues such as a pay, streaming residuals and the use of artificial intelligence. The Directors Guild has been in negotiations with the AMPTP since May 10.

The DGA has listed securing wage increases, changes to streaming residuals that account for global growth of streaming platforms, and protecting the role and vision of directors as among the issues it is fighting for in this round of bargaining. That last issue is also known as the creative rights of directors, which touches on a wide range of concerns for directors, such as casting, credits and prep time.

The Hollywood Reporter first reported the change of credits.